Wednesday, February 4, 2009

Hussein Chalayan's fashion fantasies

Wednesday, February 4, 2009

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There was a time when high fashion was an élitist pursuit. Behind closed and gilded doors, the world's most gifted creators unveiled their twice-yearly collections and the limited press in attendance used any imagery that sprang from their presentations in only the most strictly controlled manner.

Opportunistic copycats – and even way back when, they infiltrated such hallowed portals – were unlikely to be invited twice unless they were prepared to pay through the nose for the privilege. Now, though, even some of the most rarefied fashion is well understood by anyone with even a passing interest in aesthetics. And that is a good thing. The democratisation of design has made the world a better place to be.

With this in mind, while we may not all be prepared to invest hundreds, and even thousands, of pounds on a single garment, we are, for the most part, aware of the iconography generated on the catwalks and beamed across the world within seconds of its first airing – or, not unusually, live. Jean Paul Gaultier's conical bra, for example, is as well known to even marginally inquisitive eyes as, say, Andy Warhol's Campbell's soup cans.

Ditto Vivienne Westwood's mini-crini, rocking-horse platforms and pirate pants. And while Hussein Chalayan may not as yet be a household name, he is the mind behind some of the most thrilling fashion happenings of the past 15 years. If many have still not heard of this designer, they may well be familiar with his most famous creation: a tiered skirt made out of nothing more immediately wearer-friendly than polished wood.

When, for the finale of his autumn/winter 2000 collection – it was called Afterwords – Chalayan instructed the Russian model Natalia Semanova to step into the centre of a circular coffee table that, until that point, had been part of a stage set, and pull it up around her waist and walk, anyone present knew that they were witnessing what is known as a "fashion moment". Furniture transforming itself into clothing in front of one's very eyes was a fashion first.

Source : Fashion

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